Frequency w/ Black Milk, Elzhi, DJ House Shoes + MORE

Event Details

Frequency w/ Black Milk, Elzhi, DJ House Shoes + MORE

Time: September 24, 2010 at 10pm to September 25, 2010 at 3am
Location: MIGHTY, San Francisco
Street: 119 Utah St.
City/State: San Francisco, CA
Info/Tickets/Map: http://www.mighty119.com
Phone: 415-626-7001
Event Type: san, francisco, ca
Organized By: Carey Kopp
Latest Activity: Sep 9, 2010

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Event Description


Friday, September 24th 2010

VTech Phones presents...

FREQUENCY (the Detroit Edition)
......
featuring:
Black Milk live with AB & Daru
(Album of the Year Record Release Party)

Elzhi of Slum Village
DJ House Shoes

Carey Kopp (CakeMix, Mighty)

HOSTED BY FRAN BOOGIE!

Advance tickets available at:
http://frequency.eventbrite.com/

Born and raised in Detroit on the sounds of A Tribe Called Quest and De La Soul, Curtis Cross found out at an early age that he had a talent for hip-hop, especially for beats. He spent hours in his basement -- at first with just a cheap drum machine and a home karaoke system, eventually moving up to more sophisticated MPCs and samplers -- making tapes. One of these tapes got into the hands of fellow Detroiters Slum Village, who were impressed by what they heard and invited Cross to produce a track on their 2002 mixtape Dirty District, as well as on their official full-length Trinity (Past, Present and Future). After that, Cross, who was going as Black Milk, teamed up with producer RJ Rice, Jr. (or Young RJ), as the group B.R. Gunna, rhyming and making beats on the duo's 2004 release Dirty District, Vol. 2. That same year, Slum Village, who were looking for production work because usual beat-makers Waajeed and Kareem Riggins were busy with other projects, hired B.R. Gunna for 11 of the 13 tracks on their Detroit Deli LP. In 2005, without a label and with his group on hiatus, Black Milk went on to release Sound of the City, which was more of a mixtape than a typical album, on his own Music House Records, and shortly after worked on SV's self-titled record. By this time, indie rap label Fat Beats had heard Black Milk's work, which many compared to that of the late J Dilla and producer/MC Madlib; impressed, the label signed him in 2006 and issued his official solo debut, Popular Demand. Popular Demand was followed by 'Tronic' and now 'Album of the Year'

A gifted MC and outspoken critic of commercial hip-hop, eLZhi began his career rubbing shoulders with Waajeed, Dwele, and the other gifted Detroit artists involved in the city's flourishing late-'90s underground hip-hop scene. After an appearance on Jay Dee's groundbreaking 2001 album Welcome 2 Detroit, eLZhi joined the producer's crew, Slum Village. With Jay Dee spending more time with other artists, eLZhi would become the producer's replacement beginning with the group's 2002 effort Trinity (Past, Present and Future). Two more albums from the group -- 2004's Detroit Deli (A Taste of Detroit) plus a self-titled effort in 2005 -- would appear before eLZhi began focusing on his solo career with the 2008 release The Preface.

Detroit Hip-Hop's Ambassador to the World. Michael "HouseShoes" Buchanan has been an integral part of the long burgeoning Motown resurgence. Ask the people coming out of Detroit and they will confirm all of this. Houseshoes, a resident DJ at the Hip-Hop staple St. Andrews Hall from 1994-2004, has had personal influence over (at least) a full generation of emcees, producers, and then-future-DJs. Through House Shoes Recordings he pressed the now classic Jay Dee - Unreleased EP" (1996), Phat Kat – Dedication To The Suckers 12” (1999), and Houseshoes – Loungin’ (2004). The most recent House Shoes Recordings release The King James Version Vol. 1 (2008), his tribute to the late James “Jay Dee / J Dilla” Yancey, has sold well independently and received rave reviews. As a DJ, Shoes has toured extensively throughout the United States and Europe with Hip-Hop acts (Percee P, Guilty Simpson, Illa J, Exile, Aloe Blacc, Phat Kat, Slum Village, and Elzhi to name a few) as well as on his own. He has garnered the respect of acts far outside the scope of Detroit Hip-Hop by taking crowds somewhere they never planned on going, helping them discover more about music in the process.


http://music.vtechphones.com/
http://www.mighty119.com/

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