DJ HABIBEATS: The Palestinian Pioneer of Arabic Club Music | R.O.A.D. #380 (FULL EPISODE)

Welcome to the R.O.A.D. Podcast. The show that gives you unfiltered opinions from the eyes and ears of 3 seasoned DJ’s from the Las Vegas and New York nightclub industry.

In this episode of the ROAD podcast, the crew welcomes @DJHabibeats for a deep dive into his meteoric rise and the evolution of the global Arab club scene. The conversation begins with a recap of his recent milestones (1:45) and a look at his expanding international tour schedule, including his highly anticipated set at the @Coachella @TheDoLab. Habibeats addresses his infectious energy behind the decks and explains how he utilizes his open format roots to represent Arabic house music by drawing from a rich, worldwide musical heritage (13:50). As the market for Arab music parties grows, he discusses the healthy competition in the scene, the logistical challenges of touring, and the importance of prioritizing health and team building while on the road (21:01). The dialogue shifts toward the business of music as Habibeats talks about signing with a new agency and his creative process for tracks like "Hayati", while Crooked draws parallels between the sub-genres of Latin and Arabic music (32:20). The DJs get technical about their preference for playing tracks at +4 pitch, leading to a discussion on how music acts as a bridge between cultures in a divided world (37:15). Habibeats shares his philosophy on dealing with openers and how the "third culture" experience shaped the entire crew's upbringing (48:24). Later, they tackle "front row red flags" and the need for audiences to be present rather than just filming (55:01), before exploring the broken state of music distribution and how Gen Z interacts with new releases (1:00:01). The episode concludes with a look at his favorite producers (1:18:01), the value of saying "no" to protect his brand, and a hilarious story about a super-fan in Delhi, ending on a reflective note about using his platform to showcase his unique perspective (1:36:22).

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