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DTSTART:19700308T020000
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UID:1464587:Event:50911
DTSTAMP:20260427T034638Z
SUMMARY:Copyright Criminals Film Screening & Party feat. Steinski (CAN
 CELLED)
DESCRIPTION:\nTHURSDAY, MARCH 25\nSlayers Club & Kid Kameleon, with Su
 pport from Electronic Frontier Foundation and Creative Commons, Presen
 t:\nCOPYRIGHT CRIMINALS\nFilm Screening\n\nCopyright Criminals examine
 s the creative and commercial value of musical sampling, including the
  related debates over artistic expression, copyright law, and (of cour
 se) money.\n\nw/ A Very Special Live Performance By\nSTEINSKI (of Doub
 le Dee & Steinski)\nThe sampling mastermind behind the \"Lessons\" ser
 ies of cut-n-paste pastiche mixes that he originated with Double Dee i
 n the early 80's, Steve Steinski is one of the innovators of the remix
  and has influenced a generation of new producers, performers and DJ's
  - Girl Talk and Kanye would be nowhere without this guy! He has colla
 borated with experimental hip-hop luminaries such as Afrika Bambataa, 
 DJ Shadow, Cut Chemist and scores more.\n\nSteinski will unveil a bran
 d-new, all live set of cut-ups, original beats and samples just before
  embarking upon a European tour. His appearances in SF are extremely r
 are so don't sleep on this piece of dancefloor history!\n\nSupport fro
 m\nREN the VINYL ARCHAEOLOGIST (trueskool.com)\nSLAYERS CLUB (theslaye
 rsclub.com, daly city records)\nKID KAMELEON (surya dub, XLR8R)\n\nLiv
 e Graffitti Painting, B-Boy Performances and more!\n\n@ MIGHTY, 119 Ut
 ah St., San Francisco\n$5 ALL NIGHT\nDoors at 7pm\nFilm at 9pm\nSet Ti
 mes TBA\nhttp://mighty119.com\n\nAbout COPYRIGHT CRIMINALS:\nThis docu
 mentary traces the rise of hip-hop from the urban streets of New York 
 to its current status as a multi-billion dollar industry. For more tha
 n thirty years, innovative hip-hop performers and producers have been 
 re-using portions of previously recorded music in new, otherwise origi
 nal compositions. When lawyers and record companies got involved, what
  was once referred to as a “borrowed melody” became a “copyright
  infringement.”\n\nThe film showcases many of hip-hop music’s foun
 ding figures like Public Enemy, De La Soul, and Digital Underground—
 while also featuring emerging hip-hop artists from record labels Def J
 ux, Rhymesayers, Ninja Tune, and more.\n\nIt also provides an in-depth
  look at artists who have been sampled, such as Clyde Stubblefield (Ja
 mes Brown’s drummer and the world’s most sampled musician), as wel
 l as commentary by another highly sampled musician, funk legend George
  Clinton.\n\nAs artists find ever more inventive ways to insert old in
 fluences into new material, this documentary asks a critical question,
  on behalf of an entire creative community: Can you own a sound?\n\nMo
 re info at http://theslayersclub.com\n\n\n\n\nFor more information vis
 it https://trueskool.com/events/copyright-criminals-film
DTSTART;TZID=America/Los_Angeles:20100325T190000
DTEND;TZID=America/Los_Angeles:20100326T020000
CATEGORIES:hip, hop
LOCATION:Mighty, San Francisco, CA
WEBSITE:http://www.theslayersclub.com
URL:http://www.theslayersclub.com
CONTACT:
ORGANIZER:Slayers Club & Kid Kameleon with Support from Electronic Fro
 ntier Foundation and Creative Commons
ATTACH;FMTTYPE="image/jpeg":http://storage.ning.com/topology/rest/1.0/
 file/get/2247875579?profile=original
ATTENDEE;ROLE=REQ-PARTICIPANT;PARTSTAT=ACCEPTED;RSVP=TRUE;CN="Helen R.
  Wu":https://trueskool.com/profile/HelenRWu
ATTENDEE;ROLE=REQ-PARTICIPANT;PARTSTAT=ACCEPTED;RSVP=TRUE;CN="Ren the 
 Vinyl Archaeologist":https://trueskool.com/profile/xh51jvilojur
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